As We See It: Contemporary Native Photographers

June 18, 2016 – September 17, 2016

June 18 - September 17, 2016

As We See It: Contemporary Native American Photographers considered how photography can communicate personal perspectives on identity and place. This exhibition combined landscapes, portraiture and appropriated images to consider how photography can offer a new perspective on the world and the process of photography. For the artists in As We See It, the media of still photography serves as a means to accomplish their goals, whether describing environmental issues or creating connections in Native North America. Each image provided an example for how photography can form a dialog, allowing for the possibility of conversation. These pieces reframed the relationship between the photographer and the photographer’s subject. 

Photography is inherently a mono-directional action, where the photographer takes a picture while the subject passively poses and is not involved in the image-making process. The artists in As We See It explored what happens when the photographer allows the subject to become part of the process, working in tandem to create the final image. By engaging with the subject more interactively, the images became a shared product that illustrates the personal, living stories of the artists and their worlds.

Featured artists: Jamison Chas Banks, Tom Jones, Larry McNeil, Wendy Red Star, Matika Wilbur, Will Wilson and Tiffiney Yazzie.

ABOUT THE CURATORS

Suzanne Newman Fricke completed her doctorate in Native American Art History at the University of New Mexico. Her research into contemporary Native art includes an article on Bob Haozous in the anthology No Deal! Indigenous Arts and the Politics of Possession and numerous articles in First Americans Art Magazine. As a curator, she has created three shows that traveled to different sites through Russia, the United States and Japan. A book of interviews with the artists in As We See It will be published by UNM Press in 2016.

India Young is completing a doctorate in Art History as an Andrew W. Mellon Fellow at the University of New Mexico and works as an independent curator. Her primary research focuses on prints and the conceptual transfer of idea to image, while her curatorial mandate privileges Indigenous viewpoints.

Press

Wesley Puukka, “Dazzling Images,” Albuquerque Journal

Kathaleen Roberts, “Alone Together,” Albuquerque Journal