Contemporary Art for Everyone
516 ARTS is a non-collecting contemporary art museum in the center of Downtown Albuquerque that celebrates thought-provoking art in the here and now. Our mission is to connect contemporary artists and diverse audiences. 516 ARTS presents relevant exhibitions and public programs, which feature a mix of local, national, and international artists and inspire curiosity, risk-taking
Founded in 2006, 516 ARTS engages with timely themes such as the environment, immigration, and the north/south axis of cultural exchange with a focus on Latin America. Our public programs include collaborations with museums and organizations around the region and beyond, public art projects, guest speakers, public forums, the 516 WORDS literary series, workshops, performances
In 2016, 516 ARTS was selected as a partner in the Regional Regranting Program of The Andy Warhol Foundation for the Visual Arts. 516 ARTS launched the Fulcrum Fund, an annual, competitive grant program providing funding directly to artists for artist-organized activities in our region.
516 ARTS is committed to providing a dynamic, creative and inspiring space where individuals can gather to discuss, explore and learn about contemporary art and relevant issues and topics of our day. We actively seek inclusivity in our exhibitions and public programming, as well as in our board, staff, public space, and work environment. We strive to create experiences that are welcoming, relevant and accessible to people of diverse backgrounds. We seek to be active participants in celebrating the diversity in our community, while exploring topics such as socio-economic class, education, the environment and immigration. We continually evaluate our programming, exhibitions and staffing in relation to our goals of enhanced audience engagement and the reflection of diverse perspectives. We do not discriminate on the basis of sex, race, age, gender identity, religious affiliation or national origin and believe that our unique differences, ideas, preferences and perspectives contribute to a rich, vibrant and meaningful fabric that unites us all.
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• Danny Lopez, Chair
Arts & Culture Consultant
• Suzanne Sbarge, President
Founder/Executive Director, 516 ARTS
• Lauren Tresp, Vice President
Director & Publisher, Southwest Contemporary
• Helen Juliet Atkins
• Rebecca Black
Former FSO, US Government
• Roger Fragua (Jemez Pueblo)
President, Cota Holdings, LLC
• Josie Lopez, PhD
Curator of Art, Albuquerque Museum
• Kathleen Metzger
Vice President, Southwest Neurosurgical Associates
• Adolphe Pierre-Louis
Photojournalist, Actor, Musician
• Tim Price
• Mark Rohde, FAIA
RMKM Architecture PC
• Tonya Turner Carroll
Co-owner, Turner Carroll Gallery
• Dora Wang
Author, Psychiatrist, Historian
Danny López, Board Chair
Arts & Culture Consultant
Danny López is an accomplished and passionate leader in the field of arts, culture and Hispanic Heritage. Danny is a New Mexico native who recently returned home after serving as Program and Marketing Manager for the Smithsonian Latino Center in Washington, DC. His work there included directing a national Latino graduate program for museum scholars, administering the Smithsonian’s Latino Initiatives Pool, which supported pan-institutional Latino programs and managing and directing Latino Center marketing initiatives. He previously served as Marketing Director at the National Hispanic Cultural Center until 2010 and prior to that worked as a community-based volunteer in the US Peace Corps on the Caribbean coast of Nicaragua. Danny holds a degree in International Business and Management from New Mexico State University.
Suzanne Sbarge, President
Founder/Executive Director of 516 ARTS
Suzanne Sbarge is the Founder and Executive Director of 516 ARTS which she launched in 2006 in partnership with the McCune Charitable Foundation. In her approach to arts administration, she focuses on contemporary art and interdisciplinary projects in an educational context and with an emphasis on collaboration among artists and organizations. She previously directed Magnifico Arts, Inc. (in the same building as 516 ARTS) and the Harwood Art Center. She has led numerous collaborative arts projects which have garnered national and international attention, including HABITAT: Exploring Climate Change Through the Arts, Digital Latin America, ISEA2012 Albuquerque: Machine Wilderness, STREET ARTS: A Celebration of Hip Hop Culture & Free Expression, and LAND/ART. She holds a B.A. degree in Art History and Studio Arts from Barnard College in New York (1987) and an M.A. degree in Art Education from the University of New Mexico (1991). As a visual artist herself, she has brought her own particular creativity and passion for the arts to her leadership work in New Mexico for two and half decades. She was born and raised in Connecticut and has lived in Albuquerque since 1989.
Lauren Tresp, Vice President
Publisher, Southwest Contemporary
Lauren Tresp is the publisher of The Magazine of Southwest Contemporary, New Mexico’s leading contemporary arts magazine since 1992. In her time as publisher and owner of Southwest Contemporary, she launched the publication’s first comprehensive digital platform, oversaw the first total redesign of the magazine since its founding, and worked to increase transparency, diversity, and inclusion throughout the publication’s editorial coverage and team contributors. She has been writing professionally about contemporary art since 2013. She has a Master of Arts in Humanities from the University of Chicago, where she studied Medieval and Renaissance Art History, and a Bachelor of Arts in Art History and History from UCLA.
Helen Juliet Atkins
Helen Juliet Atkins is an interdisciplinary artist from Albuquerque, New Mexico. She received a BA in Studio Arts from the University of New Mexico in 2016. Her studio practice, public works, and community engaged projects often focus on the intersection of art and social justice. Atkins is a 2018 recipient of the inaugural Women in Creativity “Shine” Award, which honors creative women and their community impact. She is a co-founder of Plates Against Patriarchy, a visual arts and storytelling project that challenges patriarchal systems of power. Atkins currently serves on the Albuquerque Museum Board of Trustees. While working on collaborative projects, she is also building a body of work that explores notions of experience and identity. This work has been shown in galleries nationally and internationally.
International Development Professional, US Government
Rebecca Black completed her BA in Political Science at the University of Michigan and her Masters in City Planning in Economic Development at MIT. She served as the Economic Development Planner and then the Executive Director of Allston-Brighton Community Development Corporation in Boston where the Mayor proclaimed Rebecca Black Day honoring her contribution to Boston’s neighborhoods. Since 1992, Rebecca has worked for the United States Agency for International Development (USAID) performing different senior roles in many cities including: Washington, DC; Warsaw, Poland; Pertoria, Africa; Delhi, India; Kabul, Afghanistan; Bamako, Mali; and Phnom Penh, Cambodia.
President, Cota Holdings, LLC
Roger has dedicated his professional career to the advancement and development of American Indian communities. Roger is currently the President of Cota Holdings, LLC, whose mission is to support Tribal community and economic development in the energy and telecommunication sectors. Roger has also worked with the Western Governors’ Association and the National Tribal Environmental Council on State and Tribal relations as it relates to environmental issues. The basis for Roger’s commitment to Indian Country began during his tenure as the Tribal Administrator for his own Pueblo, where he served as the Tribal political and business resource for several years.
Curator of Art, Albuquerque Museum
Josie received her BA in History and MA in teaching from Brown University. She completed an MA in Art History at the University of California, Berkeley. She was a Jacob K. Javits fellow from 2009-13. Her dissertation on Mexican lithographer Constantino Escalante considers 19th-century caricature and visual satire of Mexico, France and Spain. Her 2013 publication “Picasso and the Forgotten War” appears in Picasso and the Politics of Visual Representation: War and Peace in the Era of the Cold War and Since, edited by Jonathon Harris, Liverpool University Press. She wrote The Carved Line: Block Printmaking in New Mexico and curated the accompanying exhibition. Her research interests include examining art as a discursive agent in the political arena, modern and contemporary Latin American art, 19th century France and Mexico, and the history of New Mexican art with a focus on printmaking. As the 2013-15 Eleanor Tufts Fellow at SMU she taught courses on the history of printmaking and European art at the University of New Mexico.
Adolphe Pierre-Louis is a photojournalist, actor and musician originally from Les Cayes, Haiti and has been based in Albuquerque since 1990. He began his career at the New York Daily News before relocating to Albuquerque where he has worked as a photographer for the Albuquerque Journal since 1990 and has received numerous awards and accolades for his photojournalist work, including Tops of the Rockies, Best of the West, and the New Mexico Press Association. Pierre-Louis’ works have been published globally. He is an avid cyclist and triathlete.
Community Relations & Foundation Giving Analyst, PNM Foundation
Tim grew up in Artesia, NM and graduated from UNM in 1985. He lived between New York City and Los Angeles before coming home to Albuquerque 15 years ago. As a production designer in the film industry, he worked with several interesting celebrities and directors. He was also a functional artist with permanent pieces at the Gallery of Functional Art in Santa Monica. His love for art continued as he helped curate and hang Project Angel Art at the Pacific Design Center in 1990 and participated in Divine Design for several years. Tim was active with AIDS Project Los Angeles and Project Angel Food. In Albuquerque, he taught a semester of lighting at the Art Center Design College and has worked for PNM and PNM Resource Foundation for 15 years. He was the runner up in the Leukemia & Lymphoma Society’s Man of the Year contest in 2015, raising $55,000. He also ran the United Way Campaign for PNM last year raising $1.1 million. Fun fact about Tim: He’s been around the world and spent a month at an Ashram in India.
Mark Rohde, FAIA, Vice President
RMKM Architecture PC
Mark Rohde is a founding principal of Rohde May Keller McNamara Architecture, P.C. (RMKM), and has specialized in the design and planning of award-winning, high-profile public architecture for more than 30 years. Mark offers clients an engaging and highly collaborative design process and is recognized for his ability to create inspired and transformative architecture for diverse and complex projects. Mark’s expertise extends to all types of architectural projects, with a focus on healthcare, educational, technical, museums, and library building types. His design approach is based on listening and open communication, his comprehensive “hands on” involvement at all phases of the project, his energy and enthusiasm, and his commitment to excellence. Mark received his BA in Architecture from UNM, his Masters in Architecture from Harvard University School of Design and founded RMKM in 1995.
Tonya Turner Carroll
Co-Owner, Turner Carroll Gallery
A 1989 graduate of the Art History Department at Chapel Hill, Tonya was awarded the prestigious Morehead-Cain Scholarship for her studies at UNC. Along with her husband Michael, she was the co-founder of the Turner Carroll Gallery in 1991. Tonya previously worked at the Philadelphia Museum of Art and Sotheby’s London. She studied at Stanford’s Center for Classical Studies in Rome and at Hebrew University in Jerusalem. Currently, she curates exhibitions at the Four Seasons Resort Punta Mita, and at the St. Regis Punta Mita Resort. Via Tonya’s and Michael’s ArteMita project, donations are made to local schools in Sayulita and Punta de Mita, Mexico.
Dora Wang, MD
Dora-Linda Wang, MD, is an author, psychiatrist and historian. She has been the recipient of a Lannan Foundation writers residency, a New Mexico-Arizona Book Award, and the Pfeiffer Visiting Scholar Award at Stanford University. Her memoir, “The Kitchen Shrink,” about working at the University of New Mexico Hospital, was published by Riverhead/Penguin Random House and nominated for the Pulitzer Prize. Her blogs have appeared in the Huffington Post and Psychology Today. Dr. Wang serves on the Executive Committee of the Yale Alumni in Medicine, and the Council of Friends for the Bancroft Library at the University of California, Berkeley.